Pharmaceutical Market Europe • July/August 2021 • 40-41

MINDSET OVER SKILL SET

Mindset over a pharma skill set – dinosaurs need not apply

Opening the doors to people who bring new thinking, new approaches and a new mindset to meet the changing times

By John Fitzpatrick, Deborah Lotterman and Lauren Westberg

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Although the pandemic wasn’t exactly a meteor, it altered life to such a degree that we predict dinosaurs will die – pharma business dinosaurs, that is. Those clients, agencies and executives who are heavily invested in only hiring people with pharma experience are clearly endangered creatures.

Many argue that COVID-19 has propelled pharma marketing into the current decade and into the digital arena, but for many, it is not immediately evident how to make that transition successful. It’s not enough to just ‘know’ digital and have several social accounts (TikTokers, be forewarned).

We believe that recrafting hiring specs – particularly eliminating the insistence on previous experience – is key to success.

Patients, physicians and payers are constant consumers of information and as such they are accustomed to extraordinary design, user experience, customer service, storytelling and curated content. They want what they want now and they are used to getting it (just like from Amazon).

Pharma brands do not – and will not – receive a pass just because they focus on healthcare. Unless a brand is a rare disease therapy (and even here the market is getting crowded), most drugs are facing off against well-funded competitors. Their branding and marketing need to be relevant, sharp and carry a distinct point of view. Fluency in an audience’s language can be a good deal more nuanced than understanding a drug’s mechanism of action.

Thumb-stopping is not a traditional skill

Before one can get inside consumers’ heads, one needs to entice their thumbs – those powerful digits that decide whether or not to engage with a digital offering.
How does one hire for that level of competition? We’ve always looked beyond traditional candidates.

  • Lauren Westberg, who heads up our West Coast office, was captain of the UCLA volleyball team and started her agency career working with a mobile phone carrier and the National Basketball Association (NBA). Lauren’s long-time experience in team sports made her a natural to lead multidisciplinary teams. It could be why she hired a wedding singer to lead our content development team for that office. Not many pharma agencies would have made that choice.

  • Joanna Beeman, our SVP of Content Development, has a degree in jazz and has belted out ‘I Will Always Love You’ an absurd number of times. She’s also capable of breaking down and recasting complex scientific information. Her magnetism and stage presence hold clients in a thrall as she draws them brilliant multimedia content strategies developed for a variety of audiences.

  • Paul Gattuso, our Senior Editor, was a documentary film editor, with an eye and ear for storytelling. He now works to elevate the stories of patient testimonials and key opinion leader videos.

  • Phil Kawol, our Head of Motion Graphics in our London office, worked in film with notable credits to his name including ‘Casino Royale’ and ‘Doom’. Making the leap from film to healthcare more than 12 years ago, he quickly mastered the power, fun and challenge of turning science stories into cliff-hangers, real-life fairy tales and full-body immersive experiences.

  • Jack DeManche, our Associate Director of Digital Strategy, managed online communities and digital programmes for several Fortune-500 CPG brands. He also periodically creates web projects in his spare time, one of which is dedicated to upcycling unwanted household items that would otherwise end up in landfills.

  • Cameron Stewart, a Digital Studio Artist, was a US Navy Hospital Corpsman who served in the field with the US Marine Corps as a Combat Medical Technician and in military hospitals and clinics in the United States and the United Kingdom. Granted, he did work in a medical environment, but we like to think his front-line experiences make him a master of calm and someone who appreciates the ability to communicate clearly and efficiently. He works as a member of our Studio team, helping art directors realise their vision in a myriad of creative ways via concept sketching, design support, illustration and animation.

‘Clients, agencies and executives who are heavily invested in only hiring people with pharma experience are clearly endangered creatures’

The right minds trump experience

If a candidate is smart, he or she can learn the science, decipher a clinical paper and follow regulatory guidance regarding appropriate framing, documentation and design. All these skills can be taught through our rigorous onboarding process.
The qualities that make our people successful are more intangible: force of personality, shape of mind, breadth of experience, a certain level of grit. These qualities check all of the boxes which pharma marketing needs most today, such as:

  • A deep, insatiable curiosity
Professionals for whom the questions never stop. How does the drug really work? What gets in the way of patients getting access today? Why do patients become non-adherent? How are the most successful social influencers gaining followers? What’s next? How do we push it further? How can we reach a particular group of patients or healthcare professionals? How do we find the next new thing that gets our clients in front of the right physicians and influencers?

  • Non-linear problem solving
This includes advocating for a bitmoji to represent patients with physical limitations, promoting an allergy treatment by partnering with American minor league baseball teams for peanut-free games, or illuminating the experiences of dementia via a simulated taxi ride through a new city. New thinking to break through is essential.

  • Genuine empathy
We leveraged remote filming forced by COVID-19 to create more intimate patient stories and we conducted physician interviews that went far beyond current prescribing habits. Such empathy and quest for authenticity led us to leverage research methodologies that allowed women to talk with each other about the deep emotional pain of infertility. When we recently learned that a client would not be pursuing the approval for a rare disease therapeutic, several members of our team declared themselves ‘gutted for the patients’. For the team, the hole in our budget was insignificant compared to the loss for those who would have received the drug.

  • True team collaboration
We call it ‘we-centricity’. It is the recognition of and rejoicing in talents beyond one’s own that lead to smarter, stronger, more unexpected ideas. Such openness, diversity and a proper, supportive and nurturing culture can foster both personal and professional growth beyond measure.

  • Anti-perfectionist perfectionists
We like people who get something down on paper, start with a draft and collaborate with their team to take it to the next level. You need to be able to reach high and be okay with missing the mark sometimes. You can be meticulous about your craft, but it’s important to embrace iteration. Fail forward. Fail better. When people feel safe failing, the results can be boundless.

  • Being brave with your vulnerability
It’s the root of human connection. It takes courage. You have to be fearless and open and comfortable being uncomfortable. We welcome pushback and being challenged. We believe everyone’s voice can make a difference. We encourage our teams to speak up and to embrace each other’s points of view. And we help each other up when we fall down.

  • Flexibility and adaptability
Most things in our world don’t move quickly (even though it feels like we’re moving at lightning speed). To the combination of rigor and time needed for critical strategic exercises, such as market research and creative concepting, are added all the layers of approvals inherent in the business (internal, client, medical, legal, regulatory). And when, not if, something unexpected happens (insert global pandemic or feedback from left field), we must hold on to the sides of the rocky boat and be ready to rethink our plans – together. We learn, we grow and we are smarter for it.

  • Extraordinary optimism
Granted, working within the regulations of this space can feel like juggling while wearing a straitjacket. But that is part of the fun, the challenge, the excitement. Thinking outside the box while in a cage.

We want people who bring new thinking, new approaches and a new mindset to meet the changing times. Dinosaurs need not apply.


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John Fitzpatrick is the General Manager of PRECISIONeffect’s London office

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Deborah Lotterman is Chief Creative Officer, located in the Boston headquarters

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Lauren Westberg is EVP and Managing Director of the Los Angeles Office